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New Collectión of Yolan Cris in Pasarela Gaudí

22 May 2014, Posted by Igor Makou in fashion, News, The most interesting

This post is also available in: Spanish, Russian

Mature and sophisticated, with a nod to innovation in bridal fashion.

Geometric shapes and nature come together to shape a series of conceptual and contemporary dresses for brides. They are different and original designs created one by one with the technique of moulage, for brides lovers of high fashion, that with much love and care are handmade from the Atelier de Barcelona. Yolanda and Cristina , the designers of YolanCris , risk in each of their designs to impose the current fashion trends in bridal gowns.

The new bridal collection 2015 YolanCris, differs in two lines of wedding bride dresses:

A collection of bohemian inspiration with different lines where reigns the boho -chic style that defines this firm since its inception. Depending on the nature of the used materials, it will grant a more ethnic and tribal touch by using fabrics like crochet cotton guipure and fringes or a more romantic style without losing the bohème essence with the use of fine chantillís and lace French Bead. The junction of these designs created with 100% organic fibers are the skirts with long flight that will grant the freedom and comfort to a perfect design for a natural and free bride.

After many years in the study and design of wedding dresses, YolanCris are redirected to an haute couture collection more mature and sophisticated. The different lines of this more innovative and contemporary collection are merged with volumes and silhouettes where preset rules in bride design break to show us the bride dresses more innovative in wedding fashion, marking the new trends in wedding for the next year 2015. Exclusive embroidered silk, manes and tulle silk, play with the different levels of length in bride along with the overlap of different brand garments in different geometrical shapes in volumes and soft silhouettes for a unique bride, with a very personal style.

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